Stuntmen and stunt coordinators can be found in a variety of films of all genres.
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When people think of stunts, the first genre that comes to mind is action. Movies like Avengers: Endgame and John wick 3 this summer, show how essential stunt work is to a good action movie and the seemingly impossible stunts that happen in the Impossible mission films were often discussed. However, these aren’t the only types of movies that require stunts. On the contrary, the importance of stunt work, involving both stuntmen and stunt coordinators, extends to all genres of films and is the key to many films that otherwise don’t seem to have much. in common.
Next to action movies, horror movies are another genre where the need for stuntmen and stunt coordinators is most evident, though often overlooked. that of Jérémy Saulnier Green room is a very clear example, as the brutal attacks that make up the film would have been impossible without an effective coordinator and stunt team. However, even less obvious examples also require coordinators and stunt teams. Guillermo Del Toro’s Gothic Horror 2015 Crimson woodpecker is an example; Although it derives most of its horror from the atmosphere as well as the ghosts that appear, an effective stunt team was key to making the film, whether it was for the scene of Carter’s sudden death in club des hommes, or the fall descending several floors in a pile of snow that Edith takes after Lucille pushes her in front of a faulty balustrade.
Even dramas can, and often do, require people who can both do stunts and coordinate them. The opening scene from the 2007 Paul Thomas Anderson film There will be blood illustrates it well. The tumble down the mine shaft after the ladder breaks is an important moment throughout the film, giving audiences a glimpse of how Daniel’s relentless determination allows him to focus on acquiring wealth, whatever the cost. But without a stuntman and stunt coordinator as part of the film, this scene doesn’t go over the page, because even if Day-Lewis chooses to do the fall himself, someone has to make sure the fall looks convincing without hurtful. actually the main performer. And that’s not to mention the later scenes in the film, such as an oil rig exploding that damages HW’s hearing, or even the final fight between Daniel and Eli around the bowling alley.
And neither one nor the other There will be blood the exception in this regard. Another notable example is the drama of 2018 Blind spot. While the film is a dialogue-rich drama about the volatile friendship between two lifelong Oakland residents, even though it contains scenes that require a stunt coordinator, a prime example being the fight that occurs between Terry and Miles at Sid. Without a stunt coordinator, this fight would not have been executed effectively, or worse, could have resulted in a serious injury. Only with the wise advice of a stunt coordinator can problems like this be avoided.
Even comedies often require stunt coordinators. Jermaine Clément and Taika Waititi’s What we do in the shadows proves it, as vampire / werewolf fights and other supernatural antics, while played for comedy rather than horror, still require a stunt coordinator and stuntmen. But even simple comedies come with their share of stunts. Neighbors and Neighbors 2: Sorority Rising both illustrate it perfectly; The first movie’s climactic fight between Mac and Teddy is impossible to imagine without a stunt coordinator or stunt liners. Likewise, Beanie Feldstein’s Nora diving out of the car’s windshield into Neighbors 2 is an illustration of stunt work in action and is crucial to the hilarity of the scene.
But what about romances? At first glance, it may seem like this is a genre where stunt coordinators aren’t needed, but a closer look reveals that it isn’t. The romantic comedy of 2013 what if refutes on his own, as the film’s stunt crew have proven their need in multiple scenes, such as when Ben hits Wallace, causing him to tumble down the stairs. Without a team of stuntmen on site, it certainly would have resulted in injury. Even Jane Austen adaptations such as Sense and sensitivity and Pride and Prejudice, quintessential novels that they are, have had stunt coordinators and stunt performers involved in their many productions, proving the importance of position even in romantic films. Mr. Darcy’s swimming on the BBC in 1995 Pride and Prejudice The miniseries, in fact, was revealed to have been made with a stuntman.
Stuntmen and stunt coordinators can be found among the production crew of any given film, be it a horror, drama, romance, comedy, or whatever. thing in between. To say that stunts only partially work in action movies is to underestimate the importance of what stunt coordinators and stuntmen do, and how they can serve a purpose, whatever the type of story being told. Next time you watch a movie (like, maybe, The art of self-defense), regardless of its classification, it should be remembered that without a stunt coordinator or a stunt team, there is a chance that it would not have been done. It’s an important part of a movie and deserves more credit.